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Fathom by Cherie Priest

Review by Dennis R. Upkins

I was never that big on ghost stories, Southern Gothic or Southern tales in general (Kate Chopin not withstanding) but Cherie Priest made me a believer with Four and Twenty Blackbirds and the subsequent titles in the Eden Moore series, Wings to the Kingdom and Not Flesh Nor Feathers.

I wasn't completely into the genre of steampunk yet (I was on my way though), but Tanglefoot converted me.

Werewolves? I could take them or leave them. But Priest reminded me why they've stood the test of time in this genre with Dreadful Skin.

So what makes Priest such a phenom? A multitude of things, actually, but chief among them is that she has mastered the elusive art of excellent storytelling.

Priest knows to hook the reader in the first few sentences and to always leave the reader wanting more. She writes to the skeptic, not the believer. Meaning she writes to the reader who wouldn't be interested in this genre and owes no allegiance to the book or the author. So if that reader isn't hooked in the first few pages, they aren't finishing the book. Priest understands that if she can convert a skeptic into a believer, then she's penned a true literary gem; a universal story with compelling characters complex plots which any audience will enjoy.

Recognizing everyone deserves to have their story told, Priest doesn't shy away from casting minority characters in central and leading roles. I was amazed at the accuracy and the respectability in which Priest handled Moore. A heroine of color, Moore was the proverbial lioness. She was as strong, clever and indomitable a lead as any caucasian counterpart would've been. More than ever, examples like this are desperately needed in the publishing industry and the media in general.

All of this is to say, I've been a doting fanboy of Priest's work for many years and was all to eager to pick up her latest novel, Fathom.
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"I can't fathom them and neither can you."

The ageless water witch Arahab has been scheming for aeons, gathering the means to awaken the great Leviathan. She aims to bring him and the old gods back to their former glory, caring little that their ascendance would also mean an end to the human race. However, awakening the Leviathan is no small feat. In fact, Arahab can't complete the ritual without human aid.

Arahab's first choice is Jose Gaspar, a notorious sea pirate from eighteenth-century Spain. But when the task proves too difficult for Gaspar, she must look elsewhere, biding her time until the 1930s, when the ideal candidate shows up: a slightly deranged teenager name Bernice.

Bernice is sophisticated, torn from New York to spend a miserable summer on Anna Maria Island, a tiny rock off the coast of Florida. She's also been saddled with the companionship of her farm-raised cousin Nia. Eventually, Bernice's disenchantment gives way to rage, which in turn leads her to commit a deadly crime. When Nia won't cover for Bernice's actions, she turns on Nia, chasing her into the deadly costal waves.

The timing is right and the elementals have better ideas: The moment the girls go under, Bernice is commandeered for Arahab's task force and Nia is turned into a strange and powerful new creature by a servant of the earth who doesn't want to surrender his green fields and muddy plans--not yet, at least. Add in a hapless fire inspector trying to get his paperwork in order, a fire god whose neutrality has been called into question, and a bizarre religious cult and rural Florida doesn't seem so sleepy anymore.
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As was the case with the Eden Moore trilogy, Dreadful Skin and many of her other tales, Priest reminds us why the southeastern part of the United States is aptly nicknamed the "Dirty South."

An ensemble cast with multiple interweaving storylines, none are throw-away characters as each of them possess their idiosyncrasies and motivations which amps the tension and provides a sharp dynamic to the saga.

Each character is sympathetic because you understand why they're compelled to take the actions they take.

Gaspar was a legendary and ruthless pirate. But this is also a man who yearns for immortality through namesake and love.

As psychotic as Bernice is, for instance, you're given insight as to what motivates her. And the fact that we understand said motivation is disturbing within itself.

You'll be hard-pressed to find a more sympathetic protagonist in Nia.

This is a novel that defies genre and convention. After all, this story features witches, pirates, gods and firefighters. What more could you possibly ask for in a story?
And the ending....well, I won't spoil it for you (hence my vagueness).

In Fathom, Priest showcases a very literary and poetic style in her prose. She can pithily weave imagery in four or five words where it would take other writers pages to accomplish. Like her other work, this novel is temptered with nuance, wit, horror, action and intrigue. In short, expect to go on a journey.

Much like Eugie Foster, S.D. Perry, Britta Dennison and other extraordinary bards, Priest's sophisticated style/themes reminds us why speculative fiction is art in the purest and highest form.

I will say that this novel isn't for everyone. If you prefer cookie-cutter fiction with stereotypes for characters and hackneyed plots, then you probably won't enjoy this story. But if you're looking to go on a wild romping ride that'll leave you flipping feverishly through the pages, well....this book is for you.

Fathom is available here on Amazon and I can't urge you enough to check it out.

About the Reviewer

Dennis R. Upkins

Dennis R. Upkins was born and raised in Nashville, TN. Currently Upkins serves as a college professor where he teaches computer animation as well as freelance writer/artist/digital photographer. His writing has appeared in Art&Prose Magazine, the Dabbling Mum and Sniplits. His art has been featured in the Madison, TN and the Scarritt Bennett art museums. In his spare time, Upkins enjoys drawing, photography, rollerblading, martial arts and of course creative writing.

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